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    <loc>https://www.lindalcunningham.com/videos/2018/8/9/south-bronx-waterfront-sagas</loc>
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    <lastmod>2018-08-09</lastmod>
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    <lastmod>2017-09-27</lastmod>
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    <loc>https://www.lindalcunningham.com/gallery-1-clay</loc>
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    <lastmod>2021-08-23</lastmod>
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      <image:title>Gallery - On Cooking Together.</image:title>
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      <image:title>Gallery - On Cooking Together.</image:title>
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      <image:title>Gallery - Classic Set.</image:title>
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      <image:title>Gallery - Salt Spout.</image:title>
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  <url>
    <loc>https://www.lindalcunningham.com/mixed-media-collages</loc>
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    <lastmod>2026-05-30</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/59909e91e6f2e104f7085a4c/1502654101149-VQE28GZDC1M0DGAMJ6QW/001_TimeChngdstudioview.jpg</image:loc>
      <image:title>Mixed Media Collages</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/59909e91e6f2e104f7085a4c/1502654287507-OHHTRVOT1POR6AVS159K/008_Now_Ever.jpg</image:loc>
      <image:title>Mixed Media Collages</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/59909e91e6f2e104f7085a4c/1630169322403-5KGUF8HND6HMR846CYPU/017.Still%2BStructures%2BIIjpg.jpg</image:loc>
      <image:title>Mixed Media Collages</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/59909e91e6f2e104f7085a4c/1502654040115-6RE23NRUU2Z3VW467IVX/06_LCContradictions.jpg</image:loc>
      <image:title>Mixed Media Collages</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/59909e91e6f2e104f7085a4c/1630170254049-G5PGZFW1CO2PCW4SXAG7/03VeniceII%2B72.jpg</image:loc>
      <image:title>Mixed Media Collages</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/59909e91e6f2e104f7085a4c/1527781711402-GG9QQ8MCQK4ZZ57SMDKK/010Cunningham_Linda_Duisberg.240.jpg</image:loc>
      <image:title>Mixed Media Collages - Duisburg, 2015</image:title>
      <image:caption>pastel, collage and photo transfer, 39’x26’ (99.06 x 66.04 cm)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/59909e91e6f2e104f7085a4c/1650568240725-GGJA7BQPHE3W6TLQY4BM/01CunninghamClearCut+72.jpg</image:loc>
      <image:title>Mixed Media Collages - "Clear Cut" oil on canvas- mounted on stretcher  165 cm x 165 cm  (65” x 65”) 2021</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/59909e91e6f2e104f7085a4c/1650568060750-V1T5Q8CSSL61PV2RLBWG/01The+Forcewith+Linda.jpg</image:loc>
      <image:title>Mixed Media Collages</image:title>
      <image:caption>“The Force” 8ft 8 in. x 10ft 8 in. oil on canvas, 2020 This new series was initially inspired by a series of pen and ink studies in Leonardo’s Notebooks investigating the force of water and storms that I have always been drawn to. Leonardo’s themes are echoed in the intensity and scale of contemporary weather patterns caused by global warming. Compelling environmental concerns frame the content of my current work.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/59909e91e6f2e104f7085a4c/1509385777003-38XR2MQC5VLL1ULET3SI/LCCambodia20MB240dpi.jpg</image:loc>
      <image:title>Mixed Media Collages - Cambodia , 2011</image:title>
      <image:caption>Pastel, collage, 94 1/2 'x 61'  (240 x 155cm) Powerful roots, nourished by plentiful sun and rain dwarf and strangle to ancient temples of Angkor. Fluid, calligraphic drawing and collage found materials are posed against the veracity of photo-based transferred images referring to Cambodia’s tragic history. Torn edges and severed forms fused with images of ancient ruins evoke our 21st C participation in a precarious process of transience and change.</image:caption>
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      <image:title>Mixed Media Collages</image:title>
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    <loc>https://www.lindalcunningham.com/installation-exhibitions</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2026-05-30</lastmod>
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      <image:title>Installation Exhibitions</image:title>
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      <image:title>Installation Exhibitions</image:title>
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      <image:title>Installation Exhibitions</image:title>
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      <image:title>Installation Exhibitions</image:title>
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      <image:title>Installation Exhibitions</image:title>
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      <image:title>Installation Exhibitions</image:title>
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      <image:title>Installation Exhibitions</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/59909e91e6f2e104f7085a4c/1717184220667-U7K5GU79MIL7M5XGYUMC/5Mylesinstallation_no_exit.jpg</image:loc>
      <image:title>Installation Exhibitions</image:title>
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      <image:title>Installation Exhibitions</image:title>
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      <image:title>Installation Exhibitions</image:title>
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      <image:title>Installation Exhibitions - EDGE OF CHANGE,detail  ODETTA Gallery</image:title>
      <image:caption>canvas, pastel, acrylic!,  tree shard images of trees and electric wires felled by hurricane “Sandy” in Woodlawn cemetery with tree shard  </image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/59909e91e6f2e104f7085a4c/1605812304727-VPULX95477C4Y561T3MC/BronzeHvyMetalinstall.jpg</image:loc>
      <image:title>Installation Exhibitions - "Altered Currents"</image:title>
      <image:caption>10-part installation, height of tallest piece 77 in., installation stretches 17ft wide, sand-cast bronze from former military scrap, 2019 2 person exhibition Bronze pours from salvaged military scrap form a forest of leaf-like natural elements, undulating and seeming to grow from an unknown ground. The golden bronze shapes appear like unexplainable treasures. The bronzes are formed by a distinctive technique I developed, a kind of collaboration with the physical processes of the pour that results in highly-textured relief with the delicacy of eroding leaves. Each piece is a unique, un-duplicatable casting. These natural appearing elements are distinguished by fluid, diagonal, curving forms closely related to the calligraphic drawing and torn edges of my large format drawings and collaged canvases.</image:caption>
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      <image:title>Installation Exhibitions - Restor/ection II (left),  Restor/ection (right)</image:title>
      <image:caption>(On floor) Found forms, walnut and steel 6ft 6 in. x 11 in. x 19 in., 2023 (Right wall, right) Angkor Ta Prohm, pastel, ink, collage on Murillo archival paper, 39 1/8 in. x 43 in., 2009 (Right wall, left) Sanibel Island, pastel, ink, archival Rives BFK paper, 36 in. x 28 in., 2019 (Center wall) Angkor Ta Prohm II, pastel, ink, collage on Murillo archival paper, 39 in. x 40 in., 2009 Colorful Left Wall Installation by Blanka Amezkua Curated by FiveMyles Artists: Blanka Amezkua, Carey Clark, Linda Cunningham, Mimma Scarpini, Tammy Wofsey On View: November 8 – December 9, 2023 Margarete Roeder Gallery presened five Bronx artists in an exhibition that shows the rich diversity in visual expression of the contemporary art world. Each artist, in their own way, confronts the frayed relationship between the urban and the natural landscapes. Collaged, sculptural totems of found elements mounted on walnut tree sections frame three powerful, large drawings of massive roots of Angkor, near Angkor Wat by Cunningham.</image:caption>
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      <image:title>Installation Exhibitions - Land, Memory and Change</image:title>
      <image:caption>Ohio Wesleyn University, 2000</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/59909e91e6f2e104f7085a4c/1504217249018-ICEMBDDJFR6RPFXKA3L5/01aWhoseLandWhoseGodInstallatn.png</image:loc>
      <image:title>Installation Exhibitions - WHOSE LAND? WHOSE GOD?</image:title>
      <image:caption>ODETTA Gallery On view: July 7 - August 20, 2017 Site-specific installation overvew: 17 collaged dry-wall panels with collaged elements, canvas with torn edges, photo transfers, acrylic, text,  9 1/2 ft high at highest point; 5 bronze elements, underground cable, and 1 tall and 2 smaller broken border posts with barbed wire from the former East German Border, 5 curved broken sections from the top of the former Berlin wall Layers of dry-wall panels with broken edges are assembled to stand like an open book, stretching through the gallery space, a metaphor of an “old story.” They construct a context for golden bronze shapes that appear like unexplainable treasures next to the images of ancient texts of the Abrahamic religions from 10 Centuries of peaceful co-existence and a prayer written in Hebrew in 1945 and carved in a free-standing wood wall. 'My work centers upon time, transience and contradictions.' Layers of dry-wall panels with broken edges are assembled to stand like an open book, stretching through the gallery space, a metaphor of an “old story.” The broken walls stretch up to 9ft in height, and construct a context for golden bronze shapes that appear like unexplainable treasures next to the images of ancient texts of the Abrahamic religions from 10 Centuries of peaceful co-existence and a prayer written in Hebrew in 1945 and carved in a free-standing wood wall. Historic authentic border posts and barbed wire from the former East German border stand nearby among broken curved cement forms that capped the walls preventing escapees from scaling the cement walls.  Somedrywall “pages” of the book with seemingly abstract brown and rust colored photo-transfers on bifurcated sheets of canvas echo actual elements in the installation, unraveling underground copper cable that formerly operated the deadly machine guns and mercury lights guarding the former East German border.  Canvases are also collaged with metaphoric rubble, acrylic and pastel.  The “old story” is collaged with golden bronze fragments on the book-like dry-wall wall structure In another area with photo-transferred images of ancient Arabic, Hebrew, Coptic and Greek texts.The historic texts from the years 2 to 11 are framed by dramatic golden, 6ft high textured bronze forms.  A phrase from a spiritualin my memory“…and the walls came a tumbling down” refers to the book of Joshua in the Tanakh or in Christian liturgy, the Biblical Old Testament about Joshua and the battle of Jericho, These images from 10 Centuries of peaceful co-existencejuxtaposed with the hopeful structures of collapsing barriers evoke hopeful possibilities in this era of devastating conflicts between the followers of Abrahamic religions.</image:caption>
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      <image:title>Installation Exhibitions</image:title>
      <image:caption>In November 2024 the Pinto Museum in Antipolo/ Manilla, Philippines acquired three large framed collage/drawings, from the series “HudsonRiver:Structural Transformations,” a moderate size collage/drawing titled “Bronx Elevated”, and a serograph/silk-screen print also of the Bronx Elevated. All five art works were part of the extensive Fischer Collection that was opened in February to honor Dr. Fischer, a renowned physician who had been consulting with Philippine physicians for 20 years. Dr. Fischer especially wanted Linda to attend, so Linda took a 10 day adventure that included a short stay with a little snorkeling to see coral and gorgeous tropical fish as well as seeing many very interesting corners of Manilla.</image:caption>
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      <image:title>Installation Exhibitions</image:title>
      <image:caption>This exhibition Resonant Forces includes two sculptures, Resurrections I and II sited in front of the house constructed from structural steel beams, twisted evidently by immense force and entwined by bronze that was cast in sand from military scrap.</image:caption>
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      <image:title>Installation Exhibitions - Installation view, Haven Gallery, 2025</image:title>
      <image:caption>Laser transfers, collaged dry wall, construction elements, graphite, ink, Text from Mott Haven historic plaque, poetry from Roger Bonair Agaard, 3 of 5 panels: 6ft x 20ft • 2005-2006 Using images from the street, 19th Century land-marked architecture and found materials, this work exposes contradictions inherent in recent history, time and change. 21st Century signage, Bronx poetry and rubbings from plaques merge with photo transfers and drawing posing the past against the restored, regenerated present.</image:caption>
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      <image:title>Installation Exhibitions - Make it stand out</image:title>
      <image:caption>Two person installation; Nicky Enright (left) Linda Cunningham (right) South Bronx Waterfront Sagas 2016-2023 installation</image:caption>
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      <image:title>Installation Exhibitions - Make it stand out</image:title>
      <image:caption>South Bronx Waterfront Sagas, installation (detail)</image:caption>
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      <image:title>Installation Exhibitions - Make it stand out</image:title>
      <image:caption>South Bronx Waterfront Sagas, installation (detail)</image:caption>
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      <image:title>Installation Exhibitions - Make it stand out</image:title>
      <image:caption>South Bronx Waterfront Sagas, installation (detail)</image:caption>
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      <image:title>Installation Exhibitions - Make it stand out</image:title>
      <image:caption>South Bronx Waterfront Sagas, installation 2016-2023, 8ft 6 in. x 33ft x 6ft multi-media, collage, acrylic, pastel, photo transfers</image:caption>
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      <image:title>Installation Exhibitions - Make it stand out</image:title>
      <image:caption>Structural Transformations, 200 year old yellow and red pine beams with twisted steel I-beams from demolition site, each column 9.5ft x 2ft x 2ft, 2020/2023</image:caption>
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      <image:title>Installation Exhibitions</image:title>
      <image:caption>Artist Cunningham on ladder finishing The Force, oil on canvas, 8ft x 10ft, 2020</image:caption>
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      <image:title>Installation Exhibitions - Make it stand out</image:title>
      <image:caption>Five Myles Gallery, Brooklyn, NYC, “Environmental Memorial” Installation view, February 25- March 26, 2023</image:caption>
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      <image:title>Installation Exhibitions - Make it stand out</image:title>
      <image:caption>…..”like time and change,” sand-cast bronze with some steel elements,   5 ft 3’’ x 10 ft x 6 ft; (on wall )“The Surge”, oil and acrylic on canvas, 6 ft x 6 ft 1,” 2021</image:caption>
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      <image:title>Installation Exhibitions - Make it stand out</image:title>
      <image:caption>Clear Cut, Linden, ash, cherry and walnut installation;  (on wall) painting, oil on canvas- mounted on stretcher 165 cm x 165 cm  (65” x 65”) 2021, (right on wall) “Angkor Roots”, pastel, acrylic canvas on stretcher,  7ft x 5 ft 7”, 2009/2022</image:caption>
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      <image:title>Installation Exhibitions - Make it stand out</image:title>
      <image:caption>(on wall) Storm Source, 5ft x 6ft, oil on canvas on stretcher, 2020, (on floor) Garden of Engaged Forms, Delaware River Limestones (one with entwined Bronze  37 in. x 28 in. x 20 in.); composite red Lava (with entwined Bronze 45 in. x 35 in. x 30 in.) smaller Cocina and Red Lava installation</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/59909e91e6f2e104f7085a4c/70d2c264-5006-4566-83bc-9046bc4c2d74/01CunninghamClearCut%2B72.jpg</image:loc>
      <image:title>Installation Exhibitions - Make it stand out</image:title>
      <image:caption>Clear Cut, oil on canvas - mounted on stretcher 165 cm x 165 cm (65 in. x 65 in.), 2021</image:caption>
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      <image:title>Installation Exhibitions - Make it stand out</image:title>
      <image:caption>Sanibel Island, pastel, archival Rives BFK paper, 36 in. x 28 in., 2019</image:caption>
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      <image:title>Sculpture &amp; Public Art</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/59909e91e6f2e104f7085a4c/1716493947227-RTUD7RQFH11JXW2WEJMI/004DivisionsUN.jpg</image:loc>
      <image:title>Sculpture &amp; Public Art</image:title>
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      <image:title>Sculpture &amp; Public Art</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/59909e91e6f2e104f7085a4c/1717180019426-YQ2BX4K6OOCHHVTF5NMI/WarMemorialGroundSclpt.jpg</image:loc>
      <image:title>Sculpture &amp; Public Art</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/59909e91e6f2e104f7085a4c/1716498944454-5TXAX1V0H3J954N9XBUK/WarMemorialTRibecca.jpg</image:loc>
      <image:title>Sculpture &amp; Public Art</image:title>
      <image:caption>WAR MEMORIAL, Installed at traffic triangle Tribeca, New York City, 1985. Sponsored by the Lower Manhattan Cultural Council. Sand-cast highly textured bronze from military scrap, 5 parts, each 144 in. x 36 in. The "War Memorial" series challenges the public sculpture tradition which celebrates heroes and politicians. It employs the traditional material for public monuments, bronze, yet consists of vulnerable heroic victims which are not elevated by pompous pedestals.  "The bronze is cast in such a way that what we see are shells. The surfaces are varied and rich.Each  bronze is open and closed, intact and torn, self-contained and dependent upon the others. They suggest classical sculpture, natural history skeletons and the pleurants, the sculptural procession of grave and dignified mourners made for Burgundian tombs at the end of the Middle Ages."  — Michael Brenson, The New York Times</image:caption>
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      <image:title>Sculpture &amp; Public Art</image:title>
      <image:caption>Have we chosen?, built from twisted steel and "flame-like" sand-cast bronze from military scrap commemorated the Allied bombing that destroyed three-quarters of Kassel, 11ft x 10ft x 5ft, 1995 The German- American Women’s Club of Kassel bought this installation, and donated it to the Regierung’s Praesidium (regional government), which sited it in central Kassel, two blocks from the Fredricianum Installed permanently in front of the Regierungspräsidium Kassel, Germany. Harold Kimpel, of the Kassel Kultural administration, said of the installation:  “… the stones that surround the base of the sculpture like toppled grave markers … are the building stones of structures that no longer exist, former sidewalks -- with their graffiti texts. Linda Cunningham…has developed a new type of public remembrance, interrogating instead the future…"</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/59909e91e6f2e104f7085a4c/1719000370901-2KI4DQDABAZZH6JQU17E/CovenantReconcle.jpg</image:loc>
      <image:title>Sculpture &amp; Public Art</image:title>
      <image:caption>Covenant for Reconciliation, 1996, Massive steel beams, twisted and destroyed by tremendous force, are reconstructed to stand like survivors, a contemporary ruin, posed against the historic Stifts Ruin. Covenant is an alternative memorial, raising questions about destruction, history, and blindness  to the humanity of one another. Historic granite sidewalk surfaces, worn smooth by thousands of pedestrians, are engraved with quotations from the diaries from people who survived the bombing of Berlin. Other stones contain a prayer/poem in Hebrew and English, written in 1946 by Avraham Sosksover. A quote from Audrey Lorde speaks  individual choice, responsibility and silence , and another about hubris - America's mistaken belief in an obligation to export democracy at any cost.</image:caption>
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      <image:title>Sculpture &amp; Public Art</image:title>
      <image:caption>Cornberg Memorial, Corberg, Germany, Quartzite Limestone, 7ft x 4ft x 12ft The Cornberg Memorial is my most collaborative public sculpture installation, built during my Fulbright year,with a small stipend from a German summer culture project. I spent 6 weeks living in the medieval Cornberg Cloister renovated as a hotel.  With the cooperation of a creative mayor, a generous owner of a stone quarry, the former mayor, the town historian and a Berlin art student, I built this massive stone installation with text marking the history of the small town.  Cornberg was built by the Third Reich as housing for forced laborers to operate the nearby copper mines, and was then occupied by displaced persons when the Allies took over.  The stone installation was engraved with quotations and a concise version of the settlement’s problematic history planned with the former mayor.</image:caption>
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      <image:title>Sculpture &amp; Public Art</image:title>
      <image:caption>Structural Transformations: An Environmental Memorial, 1990-91, Bronze, Steel, Fossil rock (an underwater formation from Florida with highly irregular contours, embedded with sea shells)., Red Lava(from California),Quartz (from Vermont) weathered rectangular  Limestone (from the Delaware River Valley,) 7ft to 2ft high, 150ft x 80ft area, 18 parts. A temporary public installation shown as sited at West Broadway and Chambers St., NY City, Tribecca, Manhattan; with permissions from DOT(Department of Transportation) and the Community board Later installed at  Snug Harbor Museum, Staten Island, NY, Sculpture Tour, Univ. of Tenn. Knoxville, Lancaster Square, Lancaster, PA.; Currently in private collections. Heavy twisted steel forms create a unique synthesis with the stones similar to those used as sculptural elements in Chinese gardens. The steel twists around the stone contours and extends beyond the rocks to create an urban garden. Twisted structural I Beams  remind the viewer of the vulnerability of structures, the relatively short life of these man-made structures, posed against the stones, which were formed over billions of years of geologic time. The installation raises questions about the fragile life of the natural environment and the domination of the man-made environment.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/59909e91e6f2e104f7085a4c/1710873455675-DNTRE44ZTB8T1P1E1LP0/StructrlTransVtshow.jpeg</image:loc>
      <image:title>Sculpture &amp; Public Art</image:title>
      <image:caption>Structural Transformations, 200 year old yellow and red pine beams with twisted steel I-beams from demolition site, each column 9.5ft x 2ft x 2ft, 2020/2023</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/59909e91e6f2e104f7085a4c/1637524478024-ZAQ12XK2BJLW4EYN9WB5/01+11FrauemSculp.jpg</image:loc>
      <image:title>Sculpture &amp; Public Art</image:title>
      <image:caption>This sculpture commemorating the lives and achievements of 11 Kassel women now stands for the future in this beautifully developed green, lined by some of Joseph Beuys' basalt stones and oak trees. The inspiration for this sculpture and the text displayed on the sculpture came from the book written to commemorate 11 Frauen by a number of visionary authors who initiated and edited the book for the 1100 year celebration of the City of Kassel/Germany. 6 architectural glass panels, each an unusual form with a high pointed angle, reflect the exceptional achievements of these women. The transparency of the material allows the informative sculpture to belong in its environment while focusing on what these women accomplished rather than what they looked like. It attracts viewers with image and quickly conveys something to engage the on-looker and then inform the interested viewer with more specific detail.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/59909e91e6f2e104f7085a4c/1502653966806-54NBLL18YV1W0FSL3LGI/001BlowingWind.jpg</image:loc>
      <image:title>Sculpture &amp; Public Art - .. .blowing in the wind</image:title>
      <image:caption>Mild steel, 1 ½ in. , 2 in. &amp; 3 in. twisted flat bar stock, powder-coated and sand-cast bronze, 10ft 6 in. x 17ft, 2013. This Decorative Grille separates an open courtyard area from the street, a metaphor for the forces that push lives, but also for growth and possibilities for change. Commissioned by Project Renewal Inc. for Bronx Boulevard, Bronx NY.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/59909e91e6f2e104f7085a4c/1717180969292-R9IEKP82YCCIXP0PCZ2K/GeminationWards.jpg</image:loc>
      <image:title>Sculpture &amp; Public Art</image:title>
      <image:caption>The installation grouping consists of 5 cast bronze images, two apparently proud vertical semi -figurative images, one breaking open neighboring another more huddled and two low horizontal forms similar to a cracked open egg shell. The title, Gemination, is a little known word meaning " becoming two," or breaking open, that reminds us of the word germination implying growth emerging 5 cast bronze, semi-figurative images installed in the permanent collection of the Morris Arboretum of the University of Pennsylvania.</image:caption>
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      <image:title>Sculpture &amp; Public Art</image:title>
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      <image:title>Sculpture &amp; Public Art - Make it stand out</image:title>
      <image:caption>DIVISIONS across from the United Nations, 1997/98 Twisted steel beams, historic hand-hewn wood beams from demolition sites, 14 ft at highest point x 70ft long. Installation: traffic triangle 1st Ave across from the United Nations with permissions from the DOT (Department of Transportation) and the Community Board.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/59909e91e6f2e104f7085a4c/877c7826-935e-4617-9682-778cd1ac7b1c/unnamed.jpg</image:loc>
      <image:title>Sculpture &amp; Public Art - Make it stand out</image:title>
      <image:caption>DIVISIONS across from the United Nations, 1997/98 Twisted steel beams, historic hand-hewn wood beams from demolition sites, 14 ft at highest point x 70ft long. Installation: traffic triangle 1st Ave across from the United Nations with permissions from the DOT (Department of Transportation) and the Community Board.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/59909e91e6f2e104f7085a4c/373a2ee7-911e-4dad-8c6d-9fee44dac530/divisions.jpg</image:loc>
      <image:title>Sculpture &amp; Public Art</image:title>
      <image:caption>DIVISIONS across from the United Nations, 1997/98 Twisted steel beams, historic hand-hewn wood beams from demolition sites, 14 ft at highest point x 70ft long. Installation: traffic triangle 1st Ave across from the United Nations with permissions from the DOT (Department of Transportation) and the Community Board.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/59909e91e6f2e104f7085a4c/f1392c21-2574-43ea-b8ff-1185ef16973c/Divisions_2.jpg</image:loc>
      <image:title>Sculpture &amp; Public Art - Make it stand out</image:title>
      <image:caption>DIVISIONS across from the United Nations, 1997/98 Twisted steel beams, historic hand-hewn wood beams from demolition sites, 14 ft at highest point x 70ft long. Installation: traffic triangle 1st Ave across from the United Nations with permissions from the DOT (Department of Transportation) and the Community Board.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59909e91e6f2e104f7085a4c/47f719ba-e0f5-4e5d-bd02-7578043b1281/Screen+Shot+2024-05-23+at+4.49.12+PM.png</image:loc>
      <image:title>Sculpture &amp; Public Art - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/59909e91e6f2e104f7085a4c/ff9932d0-a346-4b5b-9068-835b7bb56867/04_Cunningham_DivisionsWrightSt.jpg</image:loc>
      <image:title>Sculpture &amp; Public Art - DIVISIONS at Wright State University</image:title>
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      <image:title>Sculpture &amp; Public Art - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59909e91e6f2e104f7085a4c/87190b9c-96e8-4b0e-ba6c-4c710f0b8cfd/mail+2.jpeg</image:loc>
      <image:title>Sculpture &amp; Public Art - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59909e91e6f2e104f7085a4c/8bd2a481-9409-4ffb-b409-9374a58d4f13/Screen+Shot+2024-05-23+at+4.49.12+PM.png</image:loc>
      <image:title>Sculpture &amp; Public Art - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
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      <image:title>Gipfel</image:title>
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